![]() Because Har-Bal knows the entire history of the track we don’t need fast attack because we know when to pull the level down. We have a slow release time because fast gain change will lead to a lot of distortion. In traditional compression we principally have fast attack and slow release because a compressor cannot predict the future so it doesn’t know when to pull down the level and if it does it slowly a very big transient will push through before it has a chance to bring it down. However it doesn’t sound awful, and here is the reason why. Now you’ll probably think that makes no sense and will sound awful. By that I mean with a normal compressor you would typically have a fast attack time and slow release which means that the gain quickly drops at the start of a transient and slowly rises at the tail after the transient. As such the gain change that tracks the music is in sync and symmetrical about the content. The envelope it already has from the analysis. Unlike conventional dynamics processing, it doesn’t use attack – decay envelope extraction. Introduction to Har-Bal Dynamics Processor.An Example use of Har-Bal Synthetic Space.Introduction to Har-Bal Synthetic Space, an AU and VST reverb plugin. ![]()
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